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Telkomsel Brand Rejuvenation

Telkomsel Brand Rejuvenation 2560 1440 Design Business Chamber Singapore

With a new content strategy, visual design direction, and interaction models, Telkomsel rejuvenates its digital presence in the modern world. Grounded in a user-centric approach, the brand has been rejuvenated with a discovery-led website and an action-driven app that helps users make informed decisions with respect to telecommunications.

Grace Gandi Goesantoso, Service and Interaction Designer

1. How has the SG Mark benefited you?

Attaining the SG Mark has been a great encouragement for the team. It acknowledges and validates the rigorous attention and hours we’ve put in and spurs us to continue expanding the possibilities of what design can do. On a personal note, it’s been rewarding to be recognized for a public piece of work — as what we do is sometimes behind the scenes!

2. How do you think your design has impacted users?

One of our goals in revamping the two digital channels was to enable users to make better-informed decisions with ease, as well as provide a more delightful experience. I believe we were able to accomplish that through a combination of visual design and interaction design, resulting in a fresh look on top of recalibrated structures and simpler flows through the platforms. Users should now have less mental load when performing essential account actions, and content prioritizes their needs in context of where they are.

3. What was the most difficult moment when developing your idea?

Creating a new experience for a complex service that has been serving millions while ensuring that it is intuitive and familiar was the biggest challenge for our team. We definitely didn’t nail it on our first try and had many iterations before landing on our final design. It didn’t help that we were doing this project during the peak of the pandemic across multiple time zones and languages!

4. What are some new things you learned about yourself and the users as you were designing?

I became increasingly aware of my biases as a designer. At times, I would apply my own understanding and experience as a telco user to arrive at design decisions. I’ve learnt to constantly check my biases with my teammates and through testing with users to ensure that the final output is universal and accessible.

The process of testing our designs has also made me realise how unpredictable users can be! Some things that seem intuitive to one group might appear inaccessible to others. It’s so important to understand users’ mental models in context.

5. What are your future plans?

I hope to continue deepening my skills and practicing design to serve the needs of people, on projects both big and small!

6. What was the inspiration behind your product/design/idea?

For the website, the team took inspiration from direct competitors as well as indirect competitors (i.e. platforms where people spend the most time every day, such as social media platforms, banking platforms, e-commerce platforms, etc).

For the app, one inspiration was Apple’s Fitness visualizations in the form of rings. Telco packages in Indonesia can get very complex with many granular data categories. The use of the rings helps to elegantly fit more importantinformation about their data usage in one place using a familiar visual concept that can be understood at a glance.

7. Did you experience designer’s block during your work process?

Of course! Balancing user needs, technical feasibility and value for business can be rather challenging and even frustrating at times. Nonetheless, these “boundaries” have pushed our team and myself personally to design more interesting ideas.

8. How do you unwind after the grind?

Drinks after work, working out, and going down many rabbit holes on YouTube.

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HappyUrns: Celebration Kits

HappyUrns: Celebration Kits 732 750 Design Business Chamber Singapore

The Celebration Kit encourages discussions about death by celebrating life. Prompts in the kit are designed to plan loving gestures, events, and keepsakes to be passed down to their loved ones after they have passed. Death may be scary, which is all the more why it’s important to have moments of remembrance and celebration after one’s passing to bridge the irreparable rift created by death.

1.   How has the SG Mark benefited you?

It has allowed HappyUrns (HU), the design team behind HU – Design Innovation at SUTD, and our partners, both Lien Foundation and Ang Chin Moh, to gain additional media exposure. This positive outcome has created greater exposure for our community project and has allowed the public to better understand the importance of having open conversations about life and death.

2.   How do you think your design has impacted users?

Our design, both the Life-in-a-Year Book and Celebration Kit, has had a profound impact on users, providing an easy and creative platform to initiate a conversation between a user and a close friend, family member, or loved one. It has been distributed, physically and digitally, to thousands of individuals worldwide, sparking open and meaningful conversations about life and death.

This has been especially helpful for those with an elderly or terminally ill family member and friends, helping them to broach the topic of end of life while celebrating life and capturing memories that may be cherished forever. Additionally, it has helped and inspired journalers to restart and continue a journaling practice, especially in the important area of one’s life’s passions that may be passed and shared with loved ones.

Furthermore, it has brought family members and other loved ones closer together with meaningfully designed prompts to ask questions and capture the memories that we all desire. Ultimately, our design has been incredibly successful at inspiring these conversations, with users remarking on the profound impact it has had on their relationships with those around them.

3.   What was the most difficult moment when developing your idea?

Some of the difficulties that the team faced were managing constraints on the project in terms of time, the number of design sprints, length, format, etc. and choosing which ideas to discard and not move forward with.

4.   What are some new things you learned about yourself and the users as you were designing?

Through our user studies and interviews, we discovered that end-of-life conversations are universally difficult, and there is a strong need for tools to help people broach the subject. Constraints that we set while designing, such as budget, timeline, and creative boundaries based on user studies, allowed us to be creative while also remaining focused on our goal. We were surprised to discover that many people wanted a tool or approach to help them discuss end-of-life with someone close to them, as there were few opportunities to explore the subject before.

From our user studies, we learnt that the difficulty of end-of-life conversations is a common issue that crosses all types of user demographics and cultural backgrounds. We also saw that there is a need for contributions, such as the Life-in-a-Year Book and the Celebration Kit, which can help all people with mortality and celebrate the lives of their loved ones. With this knowledge, we can continue to design and iterate on proposed solutions in order to create a meaningful and impactful product.

5.   What are your future plans?

We are looking to expand the reach of our innovations by partnering with elderly community initiatives, healthcare outlets, and hospice care facilities in Singapore.  We are likewise considering evolving more innovation products and experiences for the topic of mortality and avenues that inspire individuals to reach out and celebrate life with loved ones. As this important area grows, we hope that start-ups will emerge, partnering with communities and healthcare groups.

6.   What was the inspiration behind your product/design/idea?

The inspiration behind the Life in a Year book and the Celebration Kit was the Resident’s Urn project, which started in 2019, was developed with seven residents of St’s Joseph’s Home in Singapore. Through iterative user studies and design innovation applications, we wanted to create an artefact or experience that would resonate with a larger number of people and make a profound impact on their lives and the lives of their loved ones.

During our user studies, we encountered two powerful quotes: “My journals speak louder than my ashes” and “A memory box keeps me in touch with my loved ones every moment”. These quotes inspired us to create the Life in a Year book and the Celebration Kit, which are designed to help people capture and celebrate their most precious memories.

7.       Did you experience designer’s block during your work process?

Most definitely, we believe it is a natural process to encounter designer’s block whilst designing, and something to be embraced. Coming up with simple prompts that can be applied by users for their daily journal was one of the designer’s block that we faced during our work process as we had to ideate and develop prompts that were simple to understand yet allowed users to dig deep into themselves and allowing their loved ones to understand them too.  We overcame such blocks by applying and living the foundations of Design Innovation: people, process, methods, principals, and mindsets, executed with a diverse design team and with iterative and quick design sprints.

8.   How do you unwind after the grind?

Design is a journey, a journey with partners and colleagues.  We unwind during and after the design grind through a family environment in which we play, we share food, we encourage and support each other, and we cherish each other’s traits, personalities, and differences.



We are so grateful to our amazing team of designers who worked together to create our Life in a Year book and Celebration Kit: Prof. Kris, Xin Yan, Adya, Amanda, Sabrina, Justin, Jeanette, Siska, Angelina, Joyce, Lorraine. A special thanks to our partners, Lien Foundation and Ang Chin Moh Foundation, for their support and contribution to this project.


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REX

REX 1080 1080 Design Business Chamber Singapore

A new cleaning king. An autonomous cleaning robot designed for large commercial places, the Rex has proven itself to be a cleaning powerhouse. With a class-leading brush size, cutting-edge autonomous navigation technology, and an auto-docking system that automatically refills fluids, drains waste, and charges the robot – Rex embodies what a cleaning machine should aspire to be.

Tan Wei Hua, Lead Designer,
Lionsbot International


1.      What was the most difficult moment when developing your idea?

Defining the initial concept and direction is critical in getting the rest of the design process to flow. It’s arguably the most challenging moment when facing a blank sheet of paper and the immense responsibility of creating the concept.

When designing robots, it’s often easiest to apply an anthropomorphic, zoomorphic or machine-like form.

I believe that robots should not be caricatures of living things but possess a form representative of their purpose while still truly coming alive.

It was definitely a huge challenge to develop a design concept that is purposeful and representative of the product function while being interactive with an emotional appeal.

2.      What are some new things you learned about yourself and the users as you were designing?

As with every challenging project and experience, I definitely discovered new capabilities and stretched limits within myself.

New challenges always elicit new thought processes or problem-solving methods that come up intuitively as response. I find that these are actually revisited time and again in future as additional tools in my designer’s toolbox.

With this design, I also saw first-hand just how impactful the aesthetic of a product can be to users, especially for the first impression.

In order to establish it as a function with higher business value, designers have been encouraged to prioritise capabilities in problem-solving, strategy and user-centricity. Sometimes we forget to design for beauty.

Seeing the reactions of wonder, delight, and amazement in users who saw the robot for the first time, enabling a highly positive starting engagement with the product, was truly rewarding.

3.      What are your future plans?

I believe that robots in human environments are going to become more capable, integrated and relevant in the near future, due to the recent technology becoming more readily available (e.g., 5G, machine learning, computer vision)

More and more robots are going to be deployed in the spaces we live in, and they will be more intelligent and sensitive to their environments.

Design is going to have a very vital role to play in this. While sensors inform the robot and AI powers its decision making, design needs to be there to bridge the interaction between human and robot – as it has for decades in the form of HMI.

While UI/UX design is already established as the most widespread and recent form of designing human-machine interfaces, human-robot interaction will take it one step further.

Design enables robots to communicate beyond words and graphics on a screen; through form, motion, audio-visual expression and more, facilitating intuitive deployment, trust, companionship, and collaborative work.

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MPillow – Modular Pillow

MPillow – Modular Pillow 2560 1675 Design Business Chamber Singapore

Mpillow is a fully modular and adjustable pillow that can be customised to suit your needs. Beyond firmness, it is designed based on your body structure to ensure a best fit and can help improve your sleeping habits and sleeping posture.

Darren Yeo, Founder of MPillow
  1. What was the most difficult moment when developing your idea?

One of the issues about conventional pillows is the inability to wash them. We spent an average of 8 hours sleeping on our pillow. Overtime, dirt and oil start to build up. Even though the pillow case is washable, the dirts can cause bacteria in the pillow.

As I am hygiene conscious, I was adamant to design my pillow to be able to clean easily. It took many years of research, redesigning, and users testing to come up with a fully-machine washable pillow that protects the filling cushions from sweat, dust and germs. 

2. What are some new things you learned about yourself and the users as you were designing?

I realised that a one-size pillow cannot fit everyone. Each individual has a unique body shape, size and preferred sleeping position. I see the need for the pillow to fit an individual and not the other way round.

To better understand how to get a good night’s sleep, I was mentored by a Taiwanese chirporactor, Mr Zheng Yunlong to identify the right pillow to use to correct sleep posture. Through these five year of learnings and experiences, the Mpillow was finally made. 

3. What are your future plans?

We are looking to increase our online presence to create awareness and education about the importance of sleep and how our customisable Mpillow can help others to achieve that. We noticed younger people are also facing sleeping problems and being on social media and e-commerce platforms give us the opportunity to reach out to them.

Being online also extend our presence beyond Singapore as we are looking to take the expanding our business to other countries such as Malaysia. 

4. What was the inspiration behind your product/design/idea?

Our journey began in 2016, when Darren suffered from chronic neck pain due to ill-fitting pillows. Despite trying every pillow that promised good neck and head support, nothing worked.

Feeling frustrated and eager for a restful sleep, Darren tapped on his experience and training as an engineer to design, sculpt and stitch together a pillow to give the right support. After many months of trial and error, he finally had his first good night’s sleep. Importantly, his self-crafted pillow with its unique “M” shape eliminated his neck and shoulder pain.

Delighted with his creation, Darren shared Mpillow with family and friends. After receiving good reviews from them, he realised that his pillow can help others who were suffering from neck and shoulder pain. Determined to help fellow pain sufferers, Darren decided to make the Mpillow available to everyone who needs it.

5. How has the SG Mark benefited you?

As the winner of the SG Mark, it has helped to boost the brand credibility of Mpillow to our customers and made our team very proud. The award also reflects us as a proud Singapore company that leverages on design and innovation to increase value in our product offerings. 

6. How do you think your design has impacted users?

Most of our customers who come to us experienced difficulty in sleeping due to neck pain, headaches and other problems. This is due to the lack of pillow options to fit their unique body build and their sleeping preferences. The Mpillow is designed to solve these problems with our patented “M” design. Our customised pillows help our customers sleep comfortably by providing them the right support to fulfill a better night’s sleep. 

7. Did you experience designer’s block during your work process?

I believe most designers can agree with me. Sometimes, I would find myself revisiting the same issue and that’s when I know I have to take a proactive approach. I would take a step back, before revisiting it to see if I can spot any solutions with a fresher perspective. It also helps for me to discuss it with my team and get some ideas from them. 

8. How do you unwind after the grind?

I enjoy taking long walks and surround myself with nature. I unwind by playing the guitar and sometimes I get some inspiration from it. I also like hanging out with my friends to explore my surroundings for inspiration.


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A day in the life of Ar. Chio Wen Tian

A day in the life of Ar. Chio Wen Tian 1024 682 Design Business Chamber Singapore

1) Can you describe your daily routine as an architect?

The stage of the projects dictates the daily routine of an Architect.
In general, my day typically comprises of some of these essential tasks:

Coffee – A must to start the day!

Planning – Creating a checklist for the day to stay focus and productive.

Emails / Phone calls – Communicating with clients, contractors, suppliers etc.

Tasking – Assigning tasks to team members, discussing deliverables and deadline.

Designing, Modelling, Sketching – The fun part for all Architects – to test, iterate and come up with appropriate design solutions.

Statutory Compliance checks / submission – To ensure that designs are according to codes and regulations and to prepare drawings for submissions to relevant agencies for approval.

Coordination work / Site visits – To ensure that works on site are executed according to design and compliance.

2) Which project(s) are you most proud of?

Really excited and proud of my current new project which marks the firm’s first venture overseas and foreign market entry into Ho Chi Minh City, Vietnam. The project is by a local client – Ola Beach Club (@olabeachclubsg) and it is an additions & alterations (A&A) of an existing 3-storeys residential building into a hawaiian-themed F&B enclave with a rooftop bar facing the iconic pink church – Tan Dinh Church.

 3) Share with us an update on project EMBRACE. How has Singapore Design Awards impacted your journey?

The Singapore Design Awards being co-created by the Ministry of Community, Culture and Youth and DBCS definitely lend credibility to this proposed urban intervention and garner encouraging support from the relevant agencies (Land Transport Authority, SMRT Corporation, National Park Boards, Town Councils and People’s Association). 

After months of approvals, clearances, collaborations & funds application, we have our first mock-up along Boon Lay Way opposite Yuhua Community Centre! Our eight collaborating artists are in the final month of artwork creation and the project will proceed to the installation stage at the end of February (all structures and panels are sponsored by our community sponsor – Nippon Builders Pte Ltd).

The official launch date will be on 4th March 2023, Saturday. The Guest-of-Honour is Ms Grace Fu, Minister for Sustainability and the Environment. Stay tuned for more exciting updates on this final milestone of Project Embrace!

 4) Do you have a favourite architecture in Singapore? And why?

More of a style than a particular building. I am always intrigued by Singapore modern architecture (i.e Shenton House , Colonnade Condominium, The Concourse etc.) and especially 1960s-1980s HDB blocks. 

I particularly love to spot their functional features – overhang, light shelves/rain shield, water tank shading on roof, corridors, external stairs, slits in the parapet walls etc.

Giving the cluster of blocks their unique appearance and character and imbue a sense of identity for the community. These modern HDB blocks are indeed architectural gems that not only solve Singapore’s urgent housing crisis in the 1960s, they continue to stand the test of time. Underrated, keep a look out for them!

 5) How do you overcome your creative blocks?

In 2020, I started creating my own design library by documenting existing interesting designs through 3D printing (facades, patterns, perforation, screens etc.) in 10cm x 10cm models. I believe that true design innovation follows after knowing what has been done before. I continue to draw inspiration from my 3D printed research work and imagine the permutation of possibilities. 

“A print a day keeps the mundane away!”

 6) Do you have any role models that you look up to?

My tutors guided me along my journey from an architecture student to becoming an Architect.

Ar. Richard Ho (Principal Architect of RichardHo Architects) & Ar. Ng Sanson (Director of DP Architects). 

Their dedication and passion for the profession inspire me to serve as the Chair of Young Architects League (YAL), Singapore Institute of Architects (SIA).

 7) What is a perfect weekend for you?

Trying new activity with my lovely wife Vanessa and two cheeky kids – Louisa & Lyon.

Ar. Chio Wen Tian from CHIO Architects, Winner of Singapore Design Awards 2021/2022

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AOz Premium Hand Sanitiser

AOz Premium Hand Sanitiser 940 1506 Design Business Chamber Singapore

Hand sanitisers have become a necessity in a world that is familiar with the importance of cleanliness. However, they come at the cost of your skin’s health. The AOz Hand Sanitizer will keep you clean and fragrant without the risk of dry skin or sticky residue. Furthermore, it is housed in a small, fashionable spray bottle that is resistant to leaks.

1. What was the most difficult moment when developing your idea?

We have experienced many challenges in the past few years because of the exponential growth our business has undergone. The most difficult part is to find the right team to work with.

2. What are some new things you learned about yourself and the users as you were designing?

A lot of new things have been learnt, especially when we were conducting user studies. For instance, our hand sanitiser was not designed to just be a sanitser as upon conducting more user studies, we have found out that by housing it in such a way, the act of using the hand sanitiser becomes a lot more enjoyable as an experience.

3. What are your future plans?

We plan on expanding our range in our current category by possibly collaborating with other designers to elevate the design experience in the category, as well as innovating more products to expand our product line. We also plan on expanding our brand reach to overseas market to gain further awareness and exposure, while allowing even more people to enjoy.

4. What was the inspiration behind your product/design/idea?

The inspiration behind this was to not only bring a hand sanitiser that is safe for the skin and environment but also to look beautiful and elegant. The AOz Premium Hand Sanitiser was developed to revolutionise the way we sanitise our hands, having it housed in a beautiful spray bottle. This too encourages one to bring around a hand sanitiser with them when they go out.

Innovative elements such as the twistable spray body, streamlined packaging and elegant colors have been incorporated to create a beautiful and functional design that is perfect for a hand sanitiser.

5. Did you experience designer’s block during your work process?

There were a couple of times where we felt we were stuck and was not sure how to move forward. However, this was usually because we hit a barrier and needed to decide whether to go over it or continue on our paths. But we always find a way to solve it when we are stuck in such situations.

The biggest challenge for us was to create a product that has both skin health benefits for the user and convenience for the user at the same time. A lot of hand sanitisers are usually harsh on your hands and I wanted to avoid that from happening. We wanted to create something that would be skin friendly but at the same time, still effective. Hence, we were ecstatic to know along our design journey that the product we have created just a year ago, the AOz Ozonated Olive Oil was the perfect ingredient to infuse into our sanitisers as it contained a plethora of moisturising and skin oriented benefits.

6. How do you unwind after the grind?

I would usually make myself a nice cup of pour-over coffee after a long grind. Fortunately or unfortunately, coffee makes me feel more relaxed and sleepier instead of being more focused. Hence the act of hand-grinding a fresh bag of beans and pouring that fresh cup of coffee has always been therapeutic for me, perfect to end off the day.

7. How do you think your design of the AOz Premium Hand Sanitiser has impacted users?

We’ve realised that the element of hygiene has become a lot more prevalent due to COVID-19. However, they come at the cost of your skin’s health due to the drying effects of most common hand sanitisers. Hence we have designed one where it effectively sanitises and moisturises, while leaving a nice subtle fragrant without the risk of dry skin or sticky residue. Furthermore, it is housed in a small, fashionable spray bottle that is resistant to leaks.


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DHL MEA Innovation Center

DHL MEA Innovation Center 1080 608 Design Business Chamber Singapore

What does the next generation of the logistics industry look like? The DHL MEA Innovation Center is designed to allow us to answer that question: a mobile state-of-the-art facility interactive showroom environment physically translates the creative process taking place. This facility can be built, dismantled, and transported, connecting visitors to the heartbeat of the brand wherever it goes.

Crystal Chu (left), Creative Director, Nikoletta Lee (Right), Design Director,
RK+D Experience Design

1. How has the SG Mark benefited you?

It is a mark of confidence in our design, and it assures current and future clients of the quality we bring to the table.

2. How do you think your design has impacted users?

DHL MEA IC is a mobile travelling exhibition, and we hope that it would bring across the idea that DHL is a company that can move mountains to deliver a memorable experience for their customers.

3. What was the most difficult moment when developing your idea?

DHL has a long history and a ton of content, it was really challenging to sift through all the information provided to try and get to the soul of the exhibition. We had to understand everything and boil it down to make sure the content and design were in sync and to create an engaging experience for our users.

4. What are some new things you learned about yourself and the users as you were designing?

I learnt that putting yourself in the client’s shoes is very important when producing any design, to align to the client’s needs. This has helped the team avoid conflict and build a working relationship with the client, leading to a very smooth working process indeed!

5. What are your future plans?

We hope to continue our fruitful partnership with DHL, not only designing and building more Innovation Centres, but together, exploring more opportunities with the many solutions and services they are a part of.

6. What was the inspiration behind your product/design/idea?

What inspired us was the mobility of the client; DHL is a company that is famed for logistical efficiency and for their ability to reach consumers worldwide and we decided that the Innovation Centre should as well!

7. Did you experience designer’s block during your work process?

Of course! Any designer would at some point. It feels as if your client is a stranger to you, even if we have worked together for many years. I learnt that when this happens, it’s always useful to go back to the brief, to retrace your steps and you will eventually find your way back to the right path.

8. How do you unwind after the grind?

I like boxing! Sweat out the stress.


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The Clan Hotel

The Clan Hotel 2560 2308 Design Business Chamber Singapore

Meaningful journeys all start somewhere. Situated at the crossroads of culture and commerce, this modern luxury hotel is designed with authentic touches to evoke a sense of kinship and community. The property hosts 324 rooms, split into superior, deluxe, premier, and grand premier rooms. While faithful to its history, Clan Hotel brings a renewed sense of wonderment and surprise with an unorthodox take on traditional Asian hospitality.

Kunio Iwata, Managing Director,
KKS International Pte Ltd

1. How has the SG Mark benefited you?

Our head office in Tokyo has recognised the Clan Hotel as the best Hotel Design of The Year 2022. This indicates that our hard work for The Clan Hotel has been recognised externally and internally among all projects completed by KKS GROUP.

2. How do you think your design has impacted users?

Some guests are more curious to visit or stay in this hotel when they know that the hotel has been awarded this year’s SG Mark winner. Particularly those involved in the Hospitality field are curious just as how we would be to other projects.

3. What was the most challenging moment when developing your idea?

The difficult moment is always how to transform or translate the ideas into design to fit into space and in what manner. In this case, how can the design be “sustainable” for a long time than just fashion? We must consider this carefully to ensure the hotel design still looks fresh and reminds guests of the immigrant story even after 10~15 years.

4. What are some new things you learned about yourself and the users as you were designing?

Whenever we design hotels, my vision is to design and implement ideas. However, it is very curious whether the guests have the same concept as mine about looking at products to appreciate or have different points of view.

5. What are your future plans (personal or company/ work)?

KKS International (S) Pte Ltd. will continue work on hospitality design as part of KKS GROUP of the company in Japan to promote our ability in “good design” that influences guests in some way. Our satisfaction will be when the guests check out with good memory of staying in the hotel. However, it will still be “competitive & challenging” to achieve this, but I believe it is only possible if the designer has a passion for creative design.

6. What was the inspiration behind your product/design/idea?

The inspiration was based on the history of the location of the site & surroundings to connect the “Past” & “Future”.

7. Did you experience a designer’s block during your work process?

No, I have not experienced a designer’s block. But it is instead facing difficulties in coming to satisfy the final design.

8. How do you unwind after the grind?

As a designer, there is no break from thinking about design whenever or wherever you are. This is the nature of how the designer will be more creative and imaginative. I do get tired and tense when the design is still unsatisfactory and how to deliver a better design & solution.


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Terra at Moh Guan

Terra at Moh Guan 1267 1267 Design Business Chamber Singapore

A fascinating neighbourhood and rich heritage surrounds Terra at Moh Guan. Whilst rejuvenating the unit for modern-day living, its charming vintage features were preserved, refurbished, and repurposed. Drawing inspiration from the surrounding heritage neighbourhood, this renovation bridges a nostalgic past with modernity – giving it a new lease of life for the next generation.

Eleven See, Interior Designer, Authors & Styling

1. How has the SG Mark benefited you?

Receiving the award gave me a sense of gratification to my career’s milestone and it motivates me to do better. The award brings credibility and trust into my work.

It improves client’s confidence and trust in the company and my work. It also allows me to connect to the design community, getting to meet and learn from other designers. It has been a great experience for me to grow even more as a designer.

2. How do you think your design has impacted users?

There are many who claim that a space also tells others who you are — your personality. The users can take pride and live to their fullest in the house because of the efficiency and thought-out design which fits their lifestyle. When they come home after a long day of work, they can feel like their space is their own.

3. What was the most difficult moment when developing your idea?

Finding the balance of preserving the existing heritage style of the space, yet modernising the flow and design to fit the new user’s lifestyle.

4. What are some new things you learned about yourself and the users as you were designing?

That there is beauty in every corner, regardless the age, with the right touch of design approach and execution.

5. What are your future plans?

Continue to grow better in interior design. Pushing the boundary, build and strengthen my own design style.

6. What was the inspiration behind your product/design/idea?

For Terra ay Moh Guan, the main inspiration comes from my clients who are the users themselves – their stories and personalities. Understanding the users is always needed while designing a space, especially when it comes to designing their home.

The other inspiration is the existing foundation and unique structure of the house. These elements paved the way for my design to blend seamlessly to create a good design.

7. Did you experience designer’s block during your work process?

Yes, sometimes. I see it as a signal to take a break and recharge.

8. How do you unwind after the grind?

Nothing works better than spending quality time with loved ones. I like to visit cafes, have a good meal, or maybe just simply take a walk around the city, exploring new places with them — learn to enjoy.

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Alkaff Courtview

Alkaff Courtview 1600 1068 Design Business Chamber Singapore

Shared spaces within housing enclaves are important institutions that bind people together. One such example is the playground. Alkaff Courtview offers 3 levels of differentiated play spaces with an overarching theme reflecting the abundance of nature of the Bidadari Estate. With each level embodying different realms of nature, children are encouraged to connect with nature and given a unique and educational play experience.

Tze Ee, Lead Designer, Playpoint Singapore

1. How do you think your design has impacted users? I believe a good design helps in activating spaces and bringing communities together. It makes spaces lively and more interesting.

2. What was the most difficult moment when developing your idea? To continuously churning our new ideas for different projects especially when projects revolve around the same theme.                                     

3. What are some new things you learned about yourself and the users as you were designing? Users are always looking around for the same theme. Be it forest, ship or sea theme. They revolve around the 3 most popular themes. New things that I have learned is being able to be creative and managing expectations of the users what can be done and what cannot.

4. What are your future plans? Future plans are to design playgrounds that teaches children on sustainability such as playground that harness children’s energy and convert to wind or kinetic energy.

5. What was the inspiration behind your product/design/idea? We are inspired by modern architecture, abstract objects and nature  behind our product / design/idea.

6. Did you experience designer’s block during your work process? No, I leave to my team of designers while I provide them the inspiration.

7. How has the SG Mark benefited you? It has position us an award winning design firm that clients look forward to  working with us.

8. How do you unwind after the grind? By reading novels, watching movies and a glass of wine to end the day.